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"Wise Judy," commended Patricia. "You've discovered half the secret. But here's Elinor, like patience on a monument, with David's letter in her lily-white paw. What does he say, Norn? Is he coming to town this month as he promised? Does he like Prep as well as he did——" Patricia, promising to give Doris' messages to Elinor and the rest, hurried off, leaving the drawing-room windows once more blank and impassive. She ran into the studio as Griffin was rising to go, with her umbrella, reclaimed from the stand, still dripping slow occasional drops unheeded on the polished floor. "I say, this is fine!" declared David, as he looked about him in the palm-shaded, pink and gold dining-room. "Beats our refectory at the Prep, doesn't it, Tommy old boy?".
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Conrad
"Your Aunt Louise will rejoice to see this day," said Miss Jinny solemnly. "For I'm sure she sees it, wherever she is, and I know just how her dark proud eyes would shine. She always got regularly lighted up when she was real pleased—like you look now, child." So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic. "That is enough," interrupted Mrs. Dallas, rising in a cold fury. "I want no further speeches from you. Go to your room, Isabella. Mr. Alymer, your way lies yonder," and with a swift gesture she pointed to the window. "I'll have you turned out of the house.".
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